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Las Vegas Elopements

We totally get eloping to Las Vegas! You want to marry your love without planning and paying for a royal coronation! And you want excellent photography, too. You’ve come to the right place! :-)

Nicole & Phil on 11.11.11 @ the gorgeous Loew’s Lake Las Vegas

December 3, 2011 | By | No Comments

1956 Bel Air, Classic Car, Loews Las Vegas
These guys are so hip and beautiful, and they threw a rawkin! party at the incomparably beautiful Loew’s Lake Las Vegas. They’ve got style, they’ve got lots of friends, and they’re from Boston!

“Trash The Dress” / “Day After” / “Bridal” Portraits

December 2, 2011 | By | No Comments




“Trash The Dress” / “Day After” / “Bridal” Portraits. Whatever you call them, I think they’re a really good idea.

Often, when a bride or a couple want the very best portraits of themselves in their wedding finery, time is an issue. Finding two hours on the wedding day is difficult, and requires seeing one another before the ceremony. A good solution is a “Day After” portrait session – which is usually not done the day after, but several days or even a week or more after the actual wedding day. The obvious disadvantage is that you have to get all gussied up again. The advantages, though, are really big.

  • You can spend much more time on your wedding day being with family and friends
  • With less to worry about, you will be much less stressed on your wedding day
  • You don’t have to get ready so early
  • You can honor the tradition of not seeing one another before the ceremony, if that is important to you
  • You can be much more creative and flexible, visiting multiple locations and taking advantage of lighting equipment that is impractical on a wedding day. I’m referring to the studio-quality lighting that I used to create these photos out in the Nevada/California desert. I would never bring 3 powerful studio lights and their c-stands and batteries and softboxes etc on a wedding day. On a Day After portrait, I always bring such gear.

Check out this DIY beautiful wedding – April & Eli

November 12, 2011 | By | One Comment

April and Eli are such a great couple.  April hand made most of the decor.

Kylie & Alex are on fire, yet fireproof

September 20, 2011 | By | No Comments

I loved shooting with these guys. We started out with a little fantasy stuff I’ll post shortly, and we ended up at the Nelson Ghost Town, where stuff heated up just after it started to rain.

Las Vegas Engagements - Nelson Ghost Town, Ring of Fire

Kylie & Alex at the Nelson Ghost Town, Las Vegas, Ring of Fire

Table Shots: Brides Love ‘Em. Photographers Avoid ‘Em.

July 29, 2011 | By | One Comment

In my experience, most photographers eschew them, while most Brides & Grooms love ’em. I’m referring to table shots– posed shots of family & guests usually with the B&G as they walk from table to table.

And why wouldn’t a B&G love table shots? The bride & groom are hosting probably the biggest party they’ve ever thrown. People from all places and moments in the b&g’s lives have come from far and wide to celebrate and support them on one of their most important days ever. Of course they want photos of themselves with everyone!

So why do so few photographers show table shots on their blog & in their portfolio? I think there are a few reasons. If you can think of others, please speak up in the comments 😉

Some elite photographers and photojournalistic purists eschew table shots because they say they are too “cheesy”, posed and un-real.

I LOVE photojournalism, and give my b&g’s lots of it.

But I disagree with the purists who eschew table shots for reasons of authenticity, because I actually find the emotions and group interactions in table shots to be some of the most genuine and fun there are. People let their guard down when joking around among friends.

Table shots can be difficult to shoot well. At root they are portraits. But, unlike in-studio portraits, they draw the b&g (& photographer) through a wide variety of lighting & background conditions. Sometimes the light overhead is too bright. Sometimes it’s too dark. Some shots are tight – just the b&g and two other people. Other shots are very wide, with dozens of people piling in. The backgrounds are also almost completely random and difficult to control.I suspect that some other photographers avoid taking or showing table shots because they neither possess nor know how to use the off-camera lighting necessary to create good photos in such difficult conditions. Because most b&g couples are going to want table shots at some point during the reception, I always bring multiple kinds and sets of off-camera lighting, and a trained lighting assistant. That way I’m prepared for anything. And I can deliver very clear, well-lit, fun table shots to the people who want them – brides & grooms!