How I love photographing the couples who get married at Green Valley Ranch in Henderson (just a 15 minute ride from the Las Vegas Strip): let me count the ways.
1. It’s human scale! No walking for thousands of yards inside of gigantic buildings, or thousands of feet between blocks. It’s intimate yet grand.
2. It’s really freaking gorgeous! GVR’s landscaping is among the more verdant and abundant in all of Las Vegas. The architecture is first rate, too.
3. It’s so visually varied. You can see and be photographed in a vineyard, within ornate hallways, inside plush suites, atop one of the grandest of grand staircases, enveloped in modern and sleek outdoor cabanas, on the sands of a beach (! for real), beside and against cascading waterfalling sheets of water, against deep blue tile caressing a cool blue pool, lounging upon a cool green lawn, draped over luxurious and elegant furnishings, and so much more. The place is a visual FEAST, a photographer’s playground.
4. It’s just so much more relaxed than the Strip, so easy-going, so much less hurried.
5. It’s big enough to accommodate the largest weddings and events, yet intimate enough to host a two-person elopement or a 40 person wedding ceremony and reception.
6. Their in-house chapel is understated, elegant, comfortable, lovely, and definitely not pushy like many of those in-house chapels on the Strip.
7. It is such a versatile and flexible place in which to get married. I have photographed ceremonies in so many locations on property, including: the in-house chapel on the second floor; inside presidential suites; up on the grand staircase; on the grand patio beneath the grand staircase; in the tall Italian cypress a little beyond the pool area; on the curving modern staircase just next to the pool; and in the exclusive “The Pond” private pool area.
What do you do when you *have* to use the unknown in-house photographers at your wedding ceremony at one of the Strip hotels, like The Wynn, but you want top-notch reception photography, maybe even at a reception venue away from where you got married? Why, you hire Steven Joseph Photography, that’s what!
You say you didn’t know that when you get married on The Strip you almost always have to use the anonymous in-house photographer? Yes. That is as close to an iron-clad rule in Vegas as there is. Outside photographers are *not* allowed into your wedding ceremony, nor to where your after-wedding formal photos are taken.
It’s photo booth sexy time at the wedding reception of Margarita and Andrew at Maggiano’s Little Italy in Las Vegas
Happy people toasting the Maggianos Little Italy Las VEgas wedding reception of Margarita and Andrew
Maggianos Little Italy Las Vegas Wedding Reception – beautiful bride Margarita with great friends
Las Vegas Photo Booth at the Maggianos Little Italy Wedding Reception of Margarita and Andrew
We’re big fans of WeddingWire as a resource for Brides & Grooms to figure out which photographers offer the best fit for their style, budget and personality. We’re ecstatic to have 38 glowing 5-star reviews. If you’ve left us a 5-star review on WeddingWire THANK YOU SO MUCH and if you haven’t but have been meaning to, why not go drop a little sugar on us right now? Here’s the link: http://www.eventwire.com/review/StevenJoseph
You’ve probably already seen this Maroon 5 music video.
I LOVE IT because it perfectly illustrates everything I love about photographing weddings:
1] everybody’s all dressed up and looking their best;
2] everybody’s letting their hair down and feeling peak emotions all over the place;
3] a wedding is one of the great milestone days in peoples’ lives.
I honestly feel privileged to document every single one.
A few observations from this video.
* Who would have guessed the Asian wedding rocked the hardest? Go pops!
* Who’s surprised that all the brides *instantly* recognized Adam Levine yet a few of the grooms were like “huh? whuz happenin?”
* It really pays to have good music (live or DJ) for a great experience.
* I’ve never wanted to be famous, but I’ll admit it must be an incredible rush to be able to get a giant crowd of strangers to scream in ecstasy at the mere sight of you. Billy Joel calls it being Mussolini for a couple of hours.
I made some very large, long-overdue investments in my business this year and mostly I am ecstatic with the results.
Below is a summary of those purchases, what I liked and didn’t like and why, and in some cases I wander off into a mini product review. You’ve been warned 🙂
Image courtesy of www.Profoto.com
ProFoto B1 Kit + AirRemote TTL:
OMG. Far and away the very best off-camera lighting solution (for a wedding, editorial and event photographer) I have ever owned, and I’ve owned many, many types. Each as powerful as 10 Speedlites. With enough battery power to last more than 1/2 a full day. (Best to get extra batteries (I did)). Incredibly light and portable for how much power & functionality they possess. And they are just beautiful, with an almost Apple-like design – just dang pretty to look at and hold. Practical and thoughtful details everywhere abound, things like:
a carrying handle.
two ways to determine how much battery power is left: a push button LED meter on the battery, and a battery icon on the B1’s display panel.
a large soft-touch-clicking dial that lets you change power in 1/10 stop increments or in full stop increments, from 2.0 to 10.0.
an LED modeling light that barely drains your battery, and that can be set to be always full on, or to dim until the strobe is re-charged, or to be on proportionally linked to your power setting.
the ability to trigger the strobe via old-skool optical slave, or old-skool wired to a radio trigger (like a PocketWizard), or new skool using Profoto’s AirRemote TTL triggers, that give you complete remote TTL control over your strobes.
Image courtesy of www.whitestudios.co.nz
And such wonderful controls from the AirRemote! I can turn modeling lights on or off individually. I can turn individual heads off (say if I’m metering my fill, and then metering my key). I can set differential power (for fill and key), and I can bump up or down each light’s power by 1/10th stops or full stops. Or my absolute favorite feature of the AirRemote TTL is the ability to let the strobe use the camera’s TTL to make a very good guess at differential lighting exposure in any scene, and then (!) lock those strobe settings in with the push of a button on the AirRemote, taking the lights from TTL to Manual. This is HUGE for run n gun wedding & event photographers who sometimes quickly need radically different strobe settings in different environments. I only wish my Canon Speedlites had this feature.
And now, just in the last three days or so, Profoto (through a flash eprom update) has enabled true High Speed Sync in their B1 strobes. This is tremendously awesome.
Another design feature I love and have always envied in Profotos is their bomb-proof rubber sleeve attachment system for all of their modifiers. The system always works, is no-brainer easy, is mechanically simple and elegant, and is truly an example of design brilliance. Whereas Paul C Buff speedrings and such have a four clawed system that makes only slight contact in 4 locations that invariably bend and distort speedrings and that often pop off under load or wind, the Profoto system makes 100% full and snug contact all the way around your strobe for an incredibly sure and strong attachment.
My only complaint about my B1 system is their inadequate integration with Speedlites, something I need to do all the time in my wedding work. It’s important that I have a Speedlite on my camera for intimate dynamic dance floor-type shots where my Speedlite is in ETTL mode reacting to my constant shifting forward and back. Yet I want to trigger my B1s while a Speedlite is on my camera. This requires me to remove Profoto’s AirRemote TTL trigger from my camera and figure another way to trigger the B1s. Currently there is no elegant way. The AirRemote does not have any kind of external port (like a PC or mini sync port), and when connected to a 3rd party hotshoe cube with a mini port this combination fails to trigger the B1s. I see this as a major shortcoming of Profoto’s AirRemote TTL system. That leaves us to use a 3rd party trigger system like pairs of old skool PocketWizards, one tethered to the camera’s PC port and the other tethered to the B1’s mini sync port. Inelegant, and too many dangling wires. I truly hope that Profoto makes integrating B1s and Speedlites easier in the near future. Personally, I think Profoto should buy RadioPoppers!
Image courtesy of www.imaging-resource.com
Canon 5DIII bodies:
Oh Gosh. I’ve waited so long for these babies. I recently purchased two used 5DIIIs through Amazon for about $1,000 less (each) than new. The one thing I wanted and needed so badly is the upgrade from the 5D’s & 5DII’s pathetic 15 focus points (only one of which is “cross-type”) to the 5DIII’s 61 focus points, forty one of which are cross-type. Finally I can focus my photos exactly where I want to. It’s painful to recall how many otherwise excellent photos I’ve had to throw away in my Canon 5D and 5DII days because of back-focusing, outreached hand focusing, and just plain wrong focusing. What a huge relief it is to now nail my focus almost every single time. Compared to Nikon Canon really sucks in this department when talking 2nd tier pro bodies.
Image courtesy of Canon-Europe.com
Canon 600EX-RT Speedlites:
Finally, Canon did everything right on this one. The four biggest a-MAY-zing things about this nearly perfect flash are:
mixing ETTL with Manual from back of camera,
support for up to 5 groups (A,B,C,D,E,F) of flashes,
the requirement to assign a unique Radio ID to all of your flashes making it extremely unlikely that you will ever clash with other photographers in the same area.
Image courtesy of www.amazon.com
External Flash Battery Pack Replacement for CP-E4 ($32.99):
I LOVE this thing. While a little awkward having this thing tethered to my Speedlite, it fits perfectly in a dress coat inner pocket, or on your belt (although you have to remove your belt and slide it into the fabric case). And it completely prevents missed flashes from my main on-camera Speedlite and allows me to shoot without changing batteries at a full day wedding or event. And at only 20% of the cost of the genuine Canon CP-E4, I’ve totally gotten my money’s worth. Highly recommended.
Image courtesy of http://bit.ly/1tqksfC
Cheetah C-10 10 foot collapsible stands:
I own all three sizes of Cheetah stands, and like Goldie Locks I’ve found these wonderful collapsible stands to be too small, too big, and just right. The C-10 is just right. Strong enough and tall enough for most situations yet portable. The C-8 is very small, not very strong, I don’t trust it with big lights or big modifiers. And the C-12 is just overkill. But automatically collapsible c-stands are a wedding & event photographer’s dream. Love them.
Photek Softliter 60 Inch Diffused Umbrella:
Image courtesy of B&H Photo
Buttery, gorgeous light in a very portable collapsible modifier. This is my Desert Island modifier. The only complaint I have is they should provide some sort of plug or cap for when you unscrew and shorten the shaft. Being able to shorten the shaft is very useful, so that there is not a long metal rod sticking out from the back of your strobe ready to poke someone’s eye out. However the shortened shaft tends to slide out of my B1s, dropping the modifier on the ground. An easy fix would be to insert a screw into the end of the shortened shaft, if it were not such a bizarre and impossible size to find (6.5mm x 0.05mm).
“Miracles: What They Are, Why They Happen, and How They Can Change Your Life” by Eric Metaxas:
Image courtesy of http://bit.ly/1BgBMCm
I’ve always struggled with faith, I’m a deeply skeptical and rational person by nature. I can honestly say that this book – through many pages of scientific review of astrophysics and many first-hand highly credible and very varied retelling of genuine miracles, has done more to strengthen and solidify my belief in God, in a super intelligent designer, and in the utter obviousness of a Creator who loves us, than any book I’ve ever read, including The Bible. If you’re curious, or want to believe in God and Christ, give this fascinating book a read. At the very least you’ll catch up your astrophysical knowledge about how the universe and solar system and Earth and the moon and the physical laws of nature were created.
Image courtesy of www.Amazon.com
Fstoppers Flash Disc Portable Speedlight Softbox.
Events, Wedding Receptions: Probably the best on-camera modifier I’ve tried yet, and I’ve tried many. It does what we want many modifiers to do – make a small light source larger and diffuse. And it’s perfectly collapsible so it fits in a back pocket or a side pocket of my Boda bag.
Image courtesy of lexar.com
Lexar Professional Workflow HR1 Four Bay USB 3.0 Reader Hub and 4 Lexar FCR1 Readers:
These things are fast, they look good, and they never fail to read my CF cards. Excellent purchase for a busy photographer.
Liquid-Cooled Gaming PC:
Image courtesy of http://bit.ly/1H6wttb
Research shows that the most important factor in Lightroom performance is CPU clock speed. Everything else is less important: RAM, SSD drives, fast ethernet, fast thunderbolt or USB 3 connections all pale in their ability to speed up your Lightroom performance. I bought an overclocked Gaming PC from a very smart young man who was about to report for duty into the US Navy. He overclocked the 3.4Mhz CPU all the way up to 4.8MHz. Try that with your overpriced, pretty Macintosh. This PC (not the one in the stock photo) also has lots of RAM, many SSD drives, and fast USB 3.0 connections. But the blazing fast overclocked water-cooled CPU is what has turned my Lightroom slavery from painfully slow drudgery into snappy almost real-time performance.
Westcott 7′ Parabolic Umbrella 3-Pack.
Image courtesy of eBay http://bit.ly/1BdSBOD
I picked these up at the WPPI 2014 Tradeshow: I bring one of the three umbrellas to almost every shoot. They give big beautiful soft light, perfect as a fill light. There is a white shoot-through, a black outside white inside, and a black outside silver inside. Even though I never use the silver, and the shoot-through broke on location a while back, at $99, this purchase has been an amazing value all year long. If Westcott offers this deal again at WPPI I’ll probably buy two sets of three.
“Get It Digital” advertised this lens on Amazon Marketplace as “pristine”. In fact it had a terrible light leak that I only noticed *after* a very important wedding. Fortunately the leak was not enough for the client to notice and they love the photos. But it was a badly flawed used lens that obviously was not tested before being offered as “pristine”. Worse still, when I tried to return it, the company was difficult and surly and evasive. Eventually I appealed directly to Amazon who took care of me immediately with a full no-questions-asked refund.
Two thumbs up Amazon.
Profoto Disc Umbrella Reflector:
Image courtesy of Adorama.com
This modifier is not meant for the B1 or D1 Profoto strobes, yet nowhere is this mentioned on the selling page. I guess it was stupid on my part, but honestly I didn’t see any warning that this is incompatible with ProFoto’s two best strobe lines. I ended up modding it so that an umbrella shaft (sort of) fits while using this mod, but I don’t use it much. Not a good use of $100. BTW, Profoto modifiers are famous for being over-priced. Fortunately there is a robust market of 3rd party parts that work just fine on Profotos for substantially less $. For example, I purchased some Chinese honeycomb grids for less than 1/3 the price of the official Profoto models. They work great.
Las Vegas Photographer STEVEN JOSEPH PHOTOGRAPHY. Las Vegas Headshots. Las Vegas Food Photography. Las Vegas Event Photography. Las Vegas Convention Photography. Las Vegas Photobooths. Las Vegas Wedding Photography. Las Vegas Elopement Photography.